Showing posts with label Bill Blass. Show all posts
Showing posts with label Bill Blass. Show all posts

Friday, February 17, 2012

Final Day MBFW: Much Like Good Ole and New 'Strut'



HEAD’S UP: Can you believe it's Fashion Week already? That respite between September and February seems very short, especially since press registration notices started arriving during the crush of the holiday shopping season. In any case, Mercedes-Benz Fashion Week New York has returned for the Fall 2012 edition. At VEVLYN'S PEN, we are going to do things slightly different this season. I still endeavor to provide a roundup of the best, worst and most interesting Yours Truly witnesses, from trends to sightings to the rather unusual/bizarre.

The change will be most apparent in show coverage. Where before I was doing a sort of "best of," I will tweak that this season and focus on what truly inspires me. Why the change? Simply put, I have grown weary of watching far too many collections that lack imagination because too much attention has been paid to the bottomline. If nothing inspires me, I will tell you so and tell you why. Let the games begin ...


Final Day
(SOME of the players, none at the tents): Adrienne Landau, Adrienne Vittadini, Bill Blass, Calvin Klein Collection, L'Wren Scott, Ralph Lauren, Saint Wobil, Stephen Burrows, Strut: The Fashionable Mom Show

IN
a seemingly endless and disturbing cultural moment during which U.S. fashion has largely gone corporate, one can grow nostalgic for the good ole days.

The march of minimalism continues at Calvin Klein Collection for fall 2012. Photo by Peter Michael Dills/Getty Images.

Those were the days before the tents, New Media, Livestream, YouTube et al.; before everybody was a fashion journalist; before gift bags had the power to provoke stealing, stampeding and hording.

Virtually all designers invited press, buyers and other vested interests to their showrooms to present their fabulous collections and fabulous models. It was a celebratory atmosphere. It was all very civilized; hospitable. One was welcomed with a smile, given a run-of-show and offered refreshments. At breakfast there might be orange juice, coffee and muffins or croissants. From afternoon through the balance of the day Champagne (very little nonChampagne sparkling wine was on offer back then) flowed. It was all very civilized; hospitable. Did I say that already? I did? It bears repeating.

It took only two showroom visits yesterday to remind me of those days and the feeling lasted until the last show. It all started at Adrienne Vittadini where creative director Alicia Galitzin has been keeping the spirit of the brand alive since she assumed the helm in September … More shortly, including comments on "Strut," which is featured in the video above.

Visit http://http://www.mbfashionweek.com/ to learn more about Mercedes-Benz Fashion Week, including show information and video.

Friday, September 16, 2011

NYFW Goes Out With Falls, Spills and Cries of Outrage

The Made in Africa: By Arise Magazine Spring 2012 edition showcases work of seven designers from the Continent. Photos by Mark Von Holden/Getty Images.

HEAD’S UP: I repeat, it is officially a tradition at VEVLYN’S PEN. The plan each day of Mercedes-Benz Fashion Week is to give a roundup of the best (and worse where applicable) and most interesting Yours Truly witnesses, from shows to trends to sightings to the rather unusual/bizarre. It should go without saying, but it shan’t – this won’t be a comprehensive list simply because a body can’t be everywhere. But, of course, depend on one’s best effort. Drum roll, please …

Day 8, last day
(SOME of the players at the tents and elsewhere): Bill Blass, Calvin Klein Collection, Elene Cassis, Guli, Isaac Mizrahi, L’Wren Scott, Made in Africa: By Arise Magazine, Marc Jacobs, Naeem Khan, Sergio Davila, Stephen Burrows, Threeasfour, Vassilios Kostetsos

THE
final day of Mercedes-Benz Fashion Week New York Spring 2012 was marked by rain, wind, falling temps, a plunging designer and protests.

The latter first. Protests are nothing new at Fashion Week. For years, PETA was a fixture at Dennis Basso or the show of any designer using real fur. But in what has to be a first, Human Rights Watch and others, including children, were assembled outside Cipriani 42nd Street in time for the Guli show to bring attention to human rights abuses in the Central Asian country of Uzbekistan.



What gives? Here’s the deal: Guli designer Gulnara Karimova is the daughter of Uzbek ruler Islam Karimov. IK, who has been in power for some 32 years, is accused by groups who monitor such events of blocking democracy and child labor abuses, among other outrages. Normally, someone like GK would be given a pass because of her accident of birth.

But her case is different because in addition to her talents as a designer, she is also the Uzbekistani ambassador to Spain at the United Nations in New York and the ambassador for her country at the United Nations in Geneva. In this role, the perception is that she supports her father’s policies. While GK is not new to Fashion Week, her pedigree and employment situation are, hence the hue and cry.

The show was initially scheduled for the Studio tent at Lincoln Center. However, whether bowing to pressure from HRW&Co. or not wishing to see unfold even more of a circus atmosphere outside of the tents, Fashion Week sponsor IMG cancelled the show.

“… In light of safety and security concerns due to the heightened security threats in New York City this weekend, IMG and GULI decided that it would be in the best interests of the safety of guests for the GULI show not to proceed as planned at the Lincoln Center,” a spokesperson said in a press statement. “GULI will proceed with the show at a location to be communicated to the invitees ...”

Naturally, the show of 30 ensembles, featuring fabrics native to Uzbekistan, went on. (See snippets in video above.)

The Spring 2012 Sergio Davila collection is informed by a few seminal moments in the Americas. Photo by Cindy Ord/Getty Images.

In other developments on the last day of Fashion Week, Bill Blass, Calvin Klein, Isaac Mizrahi, Marc Jacobs, Ralph Lauren and Stephen Burrows put some clothes on the runway outside of Lincoln Center by choice. Made in Africa: By Arise Magazine showed on site at Avery Fisher Hall in what has become one of the most anticipated shows of the week in only its fourth season. Yesterday, Arise's late start probably caused many to miss Elene Cassis in the Studio tent. Arise gets a notice for Most Important Acknowledgment for its series of shows dedicated to clean water, a commodity that is in very short supply on the Continent.

In what could have easily been a tragic moment during Fashion Week and which earns the distinction, Breathing a Sigh of Relief, Lanre Da Silva Ajayi fell through an opening on stage-left inside the theater at Avery Fisher Hall as she was making her way out to take a bow after presenting the strongest of the seven Arise shows. Several people managed to fish her out of the maw. Mortified and embarrassed, but thankfully in one piece, the Nigerian designer was able to take her turn on the A-shaped runway to deserving praise.

More shortly from Day 8, last day, including Best Overall Show.For now enjoy photos from some of the day’s shows.

Calvin Klein
Photos by Peter Michael Dills/Getty Images.

Elene Cassis
Photos by Frazer Harrison/Getty Images.

Marc Jacobs
Photos by Peter Michael Dills/Getty Images.

Naeem Khan
Photos by Frazer Harrison/Getty Images.

Ralph Lauren
Photos by Peter Michael Dills/Getty Images.

Next Stop on the Fashion Express – London!
For Spring 2012, designer Paul Costelloe is inspired by a classic Hollywood film. Photo courtesy of Catwalking.

JUST as the lights go down on Mercedes-Benz Fashion Week New York, they rise today on London Fashion Week.

First up is Irish designer Paul Costelloe who has shown in London the last six or seven seasons. He's gotten good notices, not so surprising considering that he cut his teeth at La Chambre Syndicale de la Haute Couture. Of course, this is the outfit that decides who shows at the couture shows in Paris.

For Spring 2012, PC is channeling the Bette Davis-Joan Crawford film, "Whatever Happened to Baby Jane?"

London Fashion Week shutters on 21 Sept. with Savile Row's venerable Hardy Amies, which is thriving under award-winning (E.Tautz) designer Claire Malcolm. She is presenting her third collection for the label.

Visit http://www.londonfashionweek.co.uk/ to learn more about London Fashion Week.

Friday, February 18, 2011

Day 8 NYFW: Going Out With L.A.M.B., Lions

The "I love convertibles" dress, left, from the Joanna Mastroianni Fall 2011 collection. Photo by Paul Warner/Getty Images

HEAD’S UP: It’s now a tradition at VEVLYN’S PEN. The plan each day of Mercedes-Benz Fashion Week is to give a roundup of the best (and worse where applicable) and most interesting, from shows to trends to sightings to the rather unusual/bizarre. This go round Yours Truly has a wingwoman in the person of Dame Francesca Simon. Even with two of us, though, we really, really can’t be everywhere. But we will be where something is happening and will keep you in the loop. Drum roll, please …

Day 8:
(SOME of the players at the tents and elsewhere): Bill Blass, Calvin Klein Collection, Elene Cassis, Isaac Mizrahi, Ivana Helsinki, Joanna Mastroianni, Julian Louie, L.A.M.B., Lublu Kira Plastinina, L'Wren Scott, Malan Breton, Naeem Khan, Ralph Lauren, Son Jung Wan, Stephen Burrows


An off-the-shoulder Kimono-style jacket from the Fall 2011 collection of Malan Breton. Photo by Slaven Vlasic/Getty Images.

THE last day of Fashion Week. By Day 3, those on their grind can’t wait until it comes, yet when it does nostalgia begins to set in.

One almost wants to start over again. Note the almost, for by the end the eyes cannot take another sheath of chiffon, tuft of fur, passel of folds …

Last day was interesting for several reasons. A young cat, Malan Breton, and an old lion, Ralph Lauren, opened the proceedings. Both took inspiration from the east – Japan for the former, China for the latter.

A get-up from the "Ragga Muffin Girls" section of the Fall 2011 L.A.M.B. collection. Photo by Frazer Harrison/Getty Images.

What of that huge gap between shows in the tents? It was five hours! When was the last time there was that long a stretch between shows? This observation brings up the matter of more designers choosing to show outside of the tents. Like Day 5, last day marked the appearance of a number of big guns.

The aforementioned RL and Calvin Klein Collection were among them. By now the fashion set is accustomed to this duo showing off site, but not so much Isaac Mizrahi and Joanna Mastroianni. And, and is it not time for Bill Blass to return to the fold? These notable absences account for the time gap. Of course, no designer with a yard of business sense wants to show when the major tastemakers, buyers and media are elsewhere. One hopes this can be rectified by September.

The little black dress was one of a few surprising looks from the Fall 2011 Ivana Helsinki collection. Photo by Jemal Countess/Getty Images.

Meanwhile, the tents survived the gap, and Elene Cassis got the party restarted with a competent show that paid homage to the New York City skyline. Naeem Khan followed with more than one or two showstopping dresses and gowns. The two most surprising shows were L.A.M.B. for its showmanship, and Ivana Helsinki who seemed to be quite a different designer – and that’s a good thing – from the one who brought Fashion Week to a close in September.

More from Day 8 shortly. Meanwhile see shows/highlights: http://www.mbfashionweek.com/

Thursday, September 16, 2010

Suitable Uniforms in an Uptown World

An ensemble, left, from the Spring 2011 collection of Milly by Michelle Smith. Models on the runway, middle, after Zang Toi's Westerns-inspired show. Below, Richard Thomas as John-Boy in "The Waltons." Top photo from Getty Images. Bottom photo from www.delsjourney.com.

Just like last time, the plan each day of Mercedes-Benz Fashion Week is to give a roundup of the best (and worse where applicable) and most interesting Yours Truly witnesses, from shows to trends to sightings to the rather unusual/bizarre. Mind, this won’t be a comprehensive list simply because I can’t be everywhere. But depend on it, I’ll do my best. Drum roll, please …

Day 7
(SOME of the players at the tents and elsewhere): Milly by Michelle Smith, Reed Krakoff, Eva Minge, Odd Molly, Anna Sui, Stanley Adams, Proenza Schouler, Zang Toi, Bill Blass, Adrienne Vittadini, Marchesa, Loris Diran, Gant by Michael Bastian, J. Sabatino, Mackage


BEST COLLECTION FOR UPTOWN GIRL TYPES- If Vera Wang designs for the sophisticated downtown gallerist/dweller, then Michelle Smith with her Milly by Michelle Smith line provides the same service for her uptown sister.

MS takes as her inspiration for Spring 2011 Peggy Guggenheim (of the Guggenheims), a gallerist and Uptown girl with a downtown, bohemian sensibility informed by living in Paris and Venice. It is an energetic collection of headturning florals, prints, geometrics and solids. Colors and shapes contrast/compare like the ebb and flow of the surf, but always complement. The luxuriousness of the fabrics is palpable from the third row. No doubt, MS takes her training in Paris to heart – one does not submit fabrics to rigid cost-benefit analyses

What is most apparent from this collection – shown with MS’s fanciful new handbag and jewelry line, however – is that these are pieces for Uptown girls around the world and the whole of Middle America that has fashion-forward pretensions. Here’s an opportunity to have fun with colors and shapes that one does not always associate with each other without coming off as weird in a conservative milieu.

The tomato silk herringbone jacquard wrap dress will play in Peoria whereas VW’s obi or just about anything from, say, the uber talented Rodarte, duo would be utterly lost in translation. Both the executive woman and the executive housewife will be admired for stepping out in the linen Masai print (brown/orange/white/gray) coat over the olive cotton grasscloth Ikat print (green/brown/white) sundress.

MS is not reinventing any wheels, but it is wholly unnecessary when one adds little adornments to the spokes such as the Kelly green tropical wool coat w/a black/green/white lining. Underneath are a silk ladybug print (white background w/black ladybugs) and Kelly green cotton Tate check (black/green/white)pencil skirt. Completing the ensemble is a tiki wood (black or dark, dark brown) tortoise teardrop necklace orange/sky blue/yellow) tie blouse.

The runt of the litter is the bland and dowdy navy cotton Biella crosshatch peplum pencil dress and ecru silk porcelain disc beaded top. It’s lost in translation. Obviously something Peoria thought the height of fashion before the intervention of myriad makeoverists, from Oprah show experts to “What Not to Wear.”

Most of the bunch, though, tend toward the self-possessed geranium cotton embroidered Barcelona plainweave coat. It’s terrific with a dress that has a silk twill chevron print (purple/navy) top w/sash and navy bottom. Accessories include a sunflower Costa Brava resin wool necklace and navy/geranium chevron print handbag.

BEST SPECTACLE
One did not have to catch an episode of “Law and Order” or watch the local news to see a perp walk in New York City. It happened in the lobby tent a little after 8 p.m.

I have just returned from the Stone Rose Lounge in the Time Warner Building after the Tamara Pogosian show in which colleague, Tia Walker, was one of the ... er ... walkers. (More on that show later). In any case, the first thing I clap eyes on is a passel of New York’s finest outside one of the men’s rooms inside the lobby.

What is going on, I ask the detective. He is a little coy but I keep pressing.

DETECTIVE: (Answering my question, while not answering my question). It’s nothing to disrupt Fashion Week; go on and have a good time.

YOURS TRULY: But I want to know why all of those cops are in the men’s room.

DETECTIVE: (Cheshire cat grin) There are doughnuts in there.

YOURS TRULY: What’s really going on. If you want me to make something up, I will.

DETECTIVE: Someone tried to steal an I-Pad.

YOURS TRULY: (Rumor has it that a few days earlier someone successfully made off with one from the Maybelline lounge) Was he caught in the act?

DETECTIVE: No, but he was observed and it was brought to the attention of one of the guards.

YOURS TRULY: (Interesting, I am thinking. They were on higher alert after the first one went missing). Did he run into the men’s room with the I-Pad?
DETECTIVE: No, he was taken in there.

YOURS TRULY: So, you’ve turned it into an interrogation room?

He doesn't say yes or no, but there is an almost imperceptible movement of his head that I interpret as a nod. Most people in the lobby do not know what is going on right under their noses. It is all very low-key, unlike on TV.

One of the officers tries to politely wave me away, encouraging me to go on with the enjoyment of my evening.

I do not budge. This, I gotta see.

A few minutes later several policeman emerge from the men’s room with a young man whose hands are handcuffed in front. Alas, I am unable to get the camera on my phone working fast enough to capture the image.

He resembles a marionette. His head is hung low and his shoulders are slumped for obvious reasons. He is being taken toward the exit away from the crowd on the south side of the tent. The cops are almost carrying him, forcing him to literally shuffle to keep up. They are moving briskly. He's got up in a b&w loose-fitting pinstripe suit ... How interesting to be wearing stripes when one is on the way to the big house.

YOURS TRULY: They’re taking him to jail?

DETECTIVE: He’s in trouble.

GOOD NIGHT, JOHN-BOY
RICHARD THOMAS
– “Did you say hi to Richard Thomas,” a colleague asks.

I have just walked into Zang Toi’s show and am in search of my seat before the guards roll back the plastic off of the runway – a cue that the show is about to start in seconds. Somehow, I have overlooked RT aka John-Boy Walton. I require no further directions after he is pointed out to me.

I am actually gushing, and I am not a woman who gushes. Who didn’t love John-Boy? He was just the sort of boy all of us girls wanted to marry when we grew up. He is so gracious when I introduce myself. He is smiling that John-Boy smile at me, and introduces me to his son, Montana, one of his seven children. “Montana is a designer,” I am given to know by a very proud papa who is explaining what in the Dickens he is doing at a fashion show.

“But I design women’s clothing,” Montana explains, though no explanation is necessary.

He’d attended the Odyn Vovk show Tuesday night. “It was kind of confusing ... He showed a lot of pants with dresses. I liked the jackets, though. There were a lot of jackets.”

Meanwhile, RT, who was born and raised in Manhattan and now lives in Midtown West, is just having some downtime after a critically acclaimed turn in David Mamet's “Race” on Broadway. “I’m just taking it easy now. It was a year and a good experience and a great cast.”

To Montana, I explain that before he was born and when I was a child I watched a certain show and was in love with a certain character on said show.

He smirks. “Turner Classic Movies is my favorite channel.”

It is one of my favorites, too, I say. But my most favorite favorite, I tell father and son is the Westerns channel on the premium cable channel, Encore.

“Really,” RT asks, trying to understand how this can be.

I explain that after I outgrew cartoons – when I was a little younger than 14-year-old Montana – I started watching old westerns i.e., Roy Rogers/Dale Evans, “The Lone Ranger.”

RT must find this amusing because he laughs, or perhaps he is a fan of Westerns, too. “What channel is that on,” he asks, clearly making a mental note to either call Time Warner Cable himself or get one of his people to do it.

Now, I feel that I really must take my seat so I say goodbye. I shake hands with Montana but I ask RT for a hug. He gladly grants it.

Though I am on Cloud 10, I resist the urge to say, “Good Night … "

A Legendary Lensman, Clothier and Store

WHILE one may not know the name Douglas Kirkland, one very likely knows his work: Marilyn Monroe for Look’s 25th anniversary issue, Stephen Hawking, Morgan Freeman, Jacques Henri Lartigue, Mick Jagger, Andy Warhol and on and on and on …

Some of these famous faces may be amongst the photos in an exhibit of his work this evening at Bloomingdale’s. The man himself will be there, too, signing books to celebrate the 180th anniversary of the outdoor lifestyle clothier, Woolrich John Rich & Bros. Is this a book of photographs featuring Woolrich ad campaigns over the years? Or a photo book Woolrich has sponsored of the Canadian's works over the years, including film work as diverse as “The Sound of Music” and “Titanic?”

That’s not quite clear, but all confusion will be settled soon enough.

Invitees can see the exhibit and leave with signed books from 6 p.m. to 8 p.m. today at Bloomingdale's (59th street between Lexington and 3rd avenues).
 
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