Showing posts with label Blair Underwood. Show all posts
Showing posts with label Blair Underwood. Show all posts

Saturday, September 1, 2012

2-for-1 Shows During Broadway & Off-Broadway Weeks

David Coomber and Nick Wyman in “Bullet for Adolf.” Photo by Carol Rosegg.

BY TAMARA BECK

IN
1952, Argentina was enthralled with its charismatic first lady, Eva Peron, when she died tragically at the age of 33. “Evita” is about political intrigue, ambition and sex appeal.

Andrew Lloyd Webber and Tim Rice based their masterwork, in an imperfect and interesting revival at the resplendent Marquis Theatre, on the accounts of worshipful crowds mourning her loss. (http://www.bit.ly/R791zb; see video below).

From Tuesday (4 Sept.) through 16 Sept., tickets to “Evita” – starring Ricky Martin, Elena Roger and Michael Cerveris – and nearly a score of Broadway shows are two for the price of one. That’s right, a twofer.

As if sponsors NYC & Company&partners, need to sweeten the Broadway Week 2012 deal, there’s even a list of 25 Broadway-area restaurants that are offering free dessert after dinner to all who show ticket stubs from a Broadway show.

This goes for the high-flying “SPIDER-MAN: Turn off the Dark,” too. The original tale in this Broadway musical based on an iconic comic book figure may be a bit muddled but the stunts are big-top spectacular. (http://www.bit.ly/QPm51y; see video above.)

Meanwhile, politics and puppets definitely make strange bedfellows in “Avenue Q,” which tells savvy and adorable life-stories and love-stories about post-college life in New York City, acted out by humans and their fuzzy mouthpieces.

In 2004, that combo garnered a Tony Best for the creative team of Robert Lopez, Jeff Marx (concept as well as music and lyrics) and Jeff Whitty (book). "Avenue Q" is a hip, funny show that particularly targets 20-somethings. In its Broadway run, it did not resonate with this reviewer, but at its new smaller digs, it was a thrill to watch.

NYC & Company and a different lineup of partners are also offering twofers during off-Broadway Week 2012. “Avenue Q” is joined by 29 others in the 17-30 Sept. deal.

For those who prefer being closer to the action, off-Broadway offers a more intimate theatrical experience. It’s the size of the house (100-499 seats), not its proximity to the Great White Way that defines off-Broadway, by the way.

While off the Way find out why the world’s longest-running musical, “The Fantasticks,” is still kickin’ it after 42 years. Maybe it’s the beautiful songs in this "Romeo and Juliet" tale that has given it such lasting appeal. “Try to Remember” is just one classic from the show. (See video below).

For newer off-Broadway fare, “Bullet for Adolf” could be just the entertainment. Woody Harrelson and Frankie Hyman have written an offensive and lovable slapstick. (http://www.bit.ly/UjuRUq)

The 2-for-1 deals are pretty straightforward propositions. Get your tickets now for the participating Broadway Week shows and from Tuesday onward for off-Broadway Week. No standing in line on the day of; during the promotion see as many of the participating shows as you want.

That means, let’s face it, all of September can be your own little theater festival.

Visit http://www.nycgo.com/broadway to learn more about Broadway Week 2012 and http://www.nycgo.com/offbroadway to learn more about Off-Broadway Week 2012.

On Celebratory Watch: Donald, Blair, Željko and Others

Carlos Gomez, Priscilla Lopez and Lin-Manuel Miranda in "In the Heights." Photo courtesy of "In the Heights."

BY TAMARA BECK

IN
New York City it seems there's likelihood for close encounters of the celebrity kind almost any given day.

Hubby Burt and this celeb-sighter try to make the most of all of our encounters. In fact, BB's heartfelt mantra is to always talk up the famous he meets.

For instance, he ran into traffic to shake hands with Donald Sutherland who was hailing a cab. On occasion, it seems better not to intrude. Diahann Carroll appeared to be entertaining her grandchildren at the Omni Berkshire Hotel on a recent afternoon. DC could be heard asking their mom if she could bring them up to her room for a visit. DC was lovely, petite and brimming with a wonderfully expansive theatricality.

He was easily recognizable, despite the peaked cap, so when he came in to tell the hostess at 5 Napkin Burger that he and his party would be dining outside, it was hard to remain silent. “You’re braving the cold.”

“Oh, no, it’s really very nice out there,” Blair Underwood said along with a handshake

BU could not have been friendlier or more gorgeous during a dinner break between his Saturday performances as Stanley Kowalski in "A Streetcar Named Desire,” which reportedly may play London in the fall. "Come see us over there. We're having so much fun!" said BU who is still as trim and youthfully handsome as he was when he appeared on "LA Law." (See the opening night video at right).

Mention of a chat with "LA Law" costars Michael Tucker and Jill Eikenberry at a performance of "I Married Wyatt Earp" (http://www.bit.ly/QTCv97), elicited general agreement about the couple’s loveliness, though BU admitted he had not seen them in some time.

Željko Ivanek in Slowgirl. Photo by Erin Baiano.

It’s always a treat to run into “celebrity” actors, but how to approach? A case in point is Željko Ivanek. He is a quiet and self-effacing man whose characters in great TV such as “Homicide: Life on the Streets,” “Oz” and “Damages,” among others, are often far more flamboyant than the man himself. Compliments are always welcome, and in this case extremely easy to give. “I loved “Slowgirl,” just loved it.” The lame but true comment was met by an almost inaudible, “Thank you.” The much more effervescent Garrett Morris, currently starring in “2 Broke Girls,” accepted a similar accolade with a much heartier thanks.

Priscilla Lopez, performing as Camilla in “In The Heights,” was cornered at a Duane Reade. She was chatty and gracious, even when asked good-naturedly, “How do you remember all those lines?,” by someone who admires the mad chops that actors exhibit on every stage.

“You remember your phone number, don’t you?,” she replied without missing a beat.

That’s easy for you to say, Priscilla.

Sunday, July 1, 2012

‘Love Goes to Press’ and Goes Awry on the Front

Annabelle Jones (Heidi Armbruster) and Jane Mason (Angela Pierce) are journalists who are there for each other in "Love Goes to Press." Photo by Richard Termine.

BY TAMARA BECK

THE
rom-com formulae are as old as theater, and they never fail to entertain.

“Love Goes to Press,” created by Martha Gellhorn and Virginia Cowles for a West End run in 1946 as a lark, has a piquant take on the familiar. It is playing at the Mint Theater Company through 29 July.

At the time of the writing, MG was divorced from Ernest Hemingway. VC was newly married to British journalist Aidan Crowley. The women knew of what they wrote. Like the play’s authors, the heroines in “Love Goes to Press” are journalists on the frontline of war.

Love is in the offing for Jane Mason (Angela Pierce) and Major Philip Brooke-Jervaux (Bradford Cover). The starchy officer at the press camp in Poggibonsi finds the reporter both irritating and fetching. Meanwhile, Annabelle Jones (Heidi Armbruster), Jane's friend who represents a San Francisco paper, finds her reunion with her ex, Joe Rogers (Rob Breckenridge) complicated by his engagement to actress Daphne Rutherford (Margot White). Daphne is on the front to entertain the troops. (See video at http://www.minttheater.org/currentproduction.php?tab=tab-1)

Bradford Cover (seated), Rob Breckenridge, Margot White, David Graham Jones, Curzon Dobell and Jay Patterson in “Love Goes To Press.” Photo by Richard Termine.

More drama ensues when in a case of mistaken identity press liaison officer Capt. Alastair Drake (Peter Cormican) puts Daphne in harm’s way, allowing Jane – who was the intended target – a heroic rescue.

Romance blossoms and wanes in “Love Goes to Press.” The acting never falters for a moment; nor does the direction by Jerry Ruiz.

Visit http://www.minttheater.org to learn more about “Love Goes to Press.”

Friday, April 1, 2011

Love, Loss/Things Between in ‘I Will Follow’

Salli Richardson-Whitfield and Beverly Todd are a niece and aunt who have a strong bond in “I Will Follow.” Photos courtesy of Kandoo Films.

BY DARALYN JAY

“I Will Follow”
is an engaging meditation on loss, love and finding a way to live with both.

Written, directed and produced by Ava DuVernay, the story centers around a day in the life of celebrity makeup artist Maye (Salli Richardson-Whitfield) as she packs the belongings of her deceased aunt in preparation for vacating the home they shared during the final months of the life of the latter.

Starring several familiar faces from film and television, “I Will Follow” is less of a star vehicle than a series of guest spots, threaded with a skillfully nuanced performance by SR-W (“I am Legend,” “Antwone Fisher”).

ADuV artfully weaves flashbacks into the day’s action to reveal Maye’s relationship with her aunt Amanda (Beverly Todd/“Crash”), a free-spirited musician who maintains her joie de vivre even as she battles terminal cancer. The image contrasts starkly with the mother glimpsed in an emotional exchange between Maye and Fran, Amanda’s daughter, played with smoldering intensity by Michole White (“She Hate Me.”)

ADuV leaves Maye more of an enigma than the absent Amanda, letting the visitors to the house serve as the catalyst that allows the audience to catch glimpses of her personality and feelings. It is through the easy camaraderie Maye enjoys with Fran’s son Raven (Dijon Talton/”Glee”) that it becomes clear why she and Amanda developed such a strong bond (“Because I wanted to be just like her”). A Champagne-toting couple from Maye’s celebrity-studded days is the window through which the audience begins to discover the life she abandoned to live with her aunt.

Salli Richardson-Whitfield and Omari Harwick as lovers in “I Will Follow.”

It is a romantic interlude with former lover Troy (Omari Harwick/“For Colored Girls”) that provides the biggest glimpse into Maye’s state of mind while her aunt was alive. Too bad that such a moment didn’t occur earlier in “I Will Follow.” Opportunities for more depth and poignancy were also lost with two other relationships that only seemed to hint at something far more complex than what meets the eye: between Fran and Amanda, as well as Maye and the boyfriend she left behind (Blair Underwood/“The Event”).

Ultimately, “I Will Follow” is Maye’s story, told from her perspective, and ADuV gradually peels the emotional layers of her protagonist to reveal what is at the core of her emotional journey. The film meanders to a conclusion that is as open as the possibilities before Maye.

“I Will Follow” is the first release from the African-American Film Festival Releasing Movement (AFFRM, www.affrm.com), a new distribution collective spearheaded by ADuV. The group releases independent black-themed feature films through simultaneous limited engagements backed by black film festival organizations in select cities.

“I Will Follow” is Rated PG-13. It is currently playing in New York; Los Angeles; Atlanta; Charlotte, NC; Chicago; Detroit; Elizabeth, NJ; Houston; Hampton, VA, Nashville; Oakland, Philadelphia, and Wilmington, NC.
 
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