
BY TAMARA BECK
THERE are amongst us those for whom handicapping the Tonys is a sport no less exciting than the Mets-Yankees matchup!

For theatergoers, the Antoinette Perry Award For Excellence in Theatre is a celebration of achievement and the culmination of a great Broadway season. Nominations are announced amid much speculation some 40 days before the ceremonies. The official website of the American Theatre Wing’s Tony Awards features a countdown to The 2013 Tony Awards.
The ceremony hosted by Neil Patrick Harris airs at 8 p.m. EST on Sunday, 9 June on CBS (http://www.tonyawards.com/index.html).
And the categories are … There are actually 26, not unlike the National Hockey League’s democratic playoffs that assure almost any production in a Broadway theater before the deadline will be in the running. Among main categories are Best Play, Best Musical, Best Book of a Musical, Best Original Score (Music and/or Lyrics) Written for the Theatre. Each has four prospective winners. There are no runners-up.
In The Best Revival of a Play slot the excellent “A Trip To Bountiful” hounds this reviewer’s personal favorite of the season, “Who’s Afraid of Virginia Woolf.” Not that the “Bountiful” production isn’t terrific. Or that “Golden Boy” was anything but a letter-perfect period-true revival of the Odets’ classic. So all that said, my money is on “Virgina Woolf.”
In the Revival of a Musical slot, let’s give odds to “Pippin,” though “Rodgers + Hammerstein’s Cinderella” looks good, too. Speaking of “Pippin,” bets are on 2011 nominee (“Sister Act”) Patina Miller for a Best Actress in a Musical despite some stiff competition from Valisia LeKae as Diana Ross in “Motown The Musical.”

The biggest money is always on Best Musical. So “Kinky Boots” or “Matilda?” Go with “Kinky Boots.” It’s got a book by Broadway fave Harvey Fierstein with music and lyrics by Cyndi Lauper, actress, activist, Grammy and Emmy winner.
Another one for “Kinky Boots” in Billy Porter as Best Actor in a Musical for his high-heeled lead in “Kinky Boots.” He edges out “Matilda’s” Bertie Carvel who gives him a good cross-dressed run for the prize.
Truthfully, this reviewer has not viewed the other ponies in this category, but let’s give the sentimental edge to “Lucky Boy” from the late, beloved Nora Ephron. “Lucky Boy” stars the always lovable Tom Hanks in his Broadway debut as a hardhitting New York reporter.
OK, that’s a wrap. May the best win!
Visit http://www.tonyawards.com/index.html to learn more about “The 2013 Tony Awards,” including the complete nominees’ list and how to access a “Racing Form.”
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