Showing posts with label Daniel Craig. Show all posts
Showing posts with label Daniel Craig. Show all posts

Friday, November 9, 2012

‘Skyfall’: Out With Old, in With New in Best of Bond



WHETHER they are good, bad or otherwise is quite beside the point. There are films that one sees because they are an event.

That is the case with the James Bond series, filmdom’s continually longest-running franchise. It is on the wave of this sentiment that Yours Truly took herself to see “Skyfall.” I expected a good ride, no matter how much credulity had to be dispensed with in the process.

James Bond (Daniel Craig) and Raoul Silva (Javier Bardem) have a touching reunion in "Skyfall." Photo courtesy of Danjaq, LLC, United Artists Corporation, Columbia Pictures Industries, Inc.

Of course, fans of the film always look forward to the prologue – the on-the-edge of-your-seat, by-the-seat-of-your-pants, pee-in-your-pants opening action sequence. The opener does not disappoint. “Skyfall” is a good ride and, surprisingly, rather quite a bit more. (See trailer above.)

Continuing its rollout across the world with its North American premiere today, “Skyfall” is simply the best film in the franchise. If there is one better, that distinction goes to “On Her Majesty's Secret Service” with George Lazenby as Bond after Sean Connery’s first retirement from the role … More shortly.

Friday, December 23, 2011

'Girl with a Dragon Tattoo' Sets and Keeps a Pace

Lisbeth and Mikael have a meeting of the minds in "The Girl with the Dragon Tattoo." Photos courtesy of Sony Pictures.

"THE GIRL WITH THE DRAGON TATTOO" takes its time in the telling. It’s not at all the type of film that the mainstream of U.S. audiences is accustomed to sitting through.

At 158 minutes (actually around 10 of those are credits), it will not be rushed. The first in a trilogy by the late Swedish author Stieg Larsson, “The Girl with the Dragon Tattoo” tells the story of both disgraced journalist Mikael Blomkvist (Daniel Craig) and dysfunctional, psychologically troubled, tattooed computer hacker Lisbeth Salande (Rooney Mara).

The duo is retained to investigate the long-ago murder of a member of the eccentric, prominent Vanger family. The film opened Wednesday and is expected to do good business at the box office. (See trailer: http://www.youtube.com/watch?v=hrFgnizJ7qY)

A colleague strenuously suggested that Yours Truly should see director Niels Arden Oplev version of “The Girl with a Dragon Tattoo,” which has the distinction of being the highest grossing European film of 2009. But would that be fair to the American “Girl?”

Indeed, it is a U.S. production, judging by the product placements: 7-Eleven, Purell Hand Sanitizer, Coco-Cola and Marlboro. Apparently, the Swedes have/had a love jones for the cancer sticks. That would explain their presence in a film set in Sweden. But 7-Eleven? Purell Hand Sanitzer!?!?

In any case, I digress. I will not be seeing the Swedish production (“Män som hatar kvinnor”), so my comments must be confined to the version I screened. “The Girl With a Dragon Tattoo” opens on Mikael’s big indiscretion. In essence, he "libeled" a corrupt industrialist when he could not prove the facts behind the story that he published in the “Millennium,” the investigative rag that he runs with his lover/married colleague (Robin Wright). The publication is sued within an inch of its life.

It is also around this time that Mikael is being considered to investigate the murder of Harriet Vanger by an uncle (Christopher Plummer). Pressed into service on the downlow to look into Mikael's background is none other than Lisbeth. She gathers much of her intelligence by hacking into his computer. For all of her brilliance, the State thinks the young woman is incompetent to conduct her own affairs. Without doubt, she lacks basic social skills. Possibly, she is a menace to society, which is why she is an adult ward of the state with a kindly guardian, lecherous social worker (Yorick van Wageningen) and money that is out of her control.

Mikael (Daniel Craig) agrees to investigate the murder of Henrik's (Christopher Plummer) niece in “The Girl With a Dragon Tattoo.”

“The Girl With a Dragon Tattoo” might have been better left on the page rather than being adapted to the big screen. The film takes its own sweet time in the telling, overlapping what’s going on with Mikael and what’s going on with Lisbeth, giving insights into their background to explain why they have arrived at this common place. Or why they will arrive at this common place – working together to solve a long-ago murder.

Too much time is devoted to their respective investigations. It is extremely difficult to produce engaging material out of the act of looking into a computer screen, typing furiously on its keyboard, poring over documents and considering a list of photos on a storyboard. The result is that a good chunk of the film is plodding – and frankly – boring

The action and interest do pick up immensely when the protagonists finally meet about half way through the film. Mikeal and Lisbeth are opposite that are compatible in more ways than one. It is almost possible to see the electrical currents when they are in a room together. DG comports himself competently, credibly portraying an experienced, investigative journalist instead of James Bond in the guise of a journalist.

“The Girl With a Dragon Tattoo,” however, is RM’s film. Not only because she is the character of the title. Her Lisbeth approaches everything she does with extreme gravitas. She rides that motorcycle like a bat out of hell regardless of the importance of the destination. She appears to be angry at the world and will unleash her wrath at the least provocation. Lisbeth brooks no false sincerity, she’s above it all. Just the facts, please, let’s not pretend that we are friends or care for each other.

Lisbeth (Rooney Mara) tells her social worker, Bjurman (Yorick van Wageningen), what she really thinks about him in “The Girl With a Dragon Tattoo.”

Whenever RM is on screen, even in the scenes amongst the archives, the eye is riveted to her. She is cool, calculated, armed and dangerous. The scenes with the tattoo paraphernalia and the blond wig are painful proof. It’s a taut, intense performance.

“The Girl With a Dragon Tattoo” ends on a surprising and satisfactory note. The second half of the film makes up a good deal for the slow pacing of the first.

“The Girl With a Dragon Tattoo” is rated R for brutal violent content, including rape and torture, strong sexuality, graphic nudity and language.

Friday, July 29, 2011

Cowboys & Aliens: Strange Lifeforms Plunder Wild West

Jake Lonergan (Daniel Craig) has the power to kill aliens in the bracelet on his left arm in "Cowboys & Aliens." Photo from Universal Pictures.


COWBOYS have their place and aliens have their place. And nary the twain should meet, except they do in a film imaginably titled Cowboys & Aliens.

The film stars Daniel Craig - yes, the current James Bond - as a man with (initially) no memory. It also stars Harrison Ford - yes, Indiana Jones - as a man with no mercy. “Cowboys & Aliens” opens nationwide today.

The stars have about as much chemistry as vampires and garlic. DC’s crotchetiness and HF’s curmudgeonliness are silly and annoying. Anyone who bet that this film is about a showdown between cowboys and ... ALIENS! called it.(Seee videio at: http://www.cowboysandaliensmovie.com/site.html)

The aliens strike under the cover of darkness in "Cowboys & Aliens."

DC is outlaw Jake Lonergan who has an encounter with the gold-loving beings – it’s like meth to them – and is robbed of his memory. Inexplicably, he is left with a device on his left arm that appears to be the lone defense against the marauders who are a cross between ET, the extra-terrestrial and that creature from the “Alien” films.

The aliens have literally been swooping down and snatching folks. To defeat them Jake has to throw in with HF’s cattle baron and erstwhile war-hardened colonel, Woodrow Dolarhyde, and sundry other friends and enemies, including a shape-shifting woman (Olivia Wilde), Indians, a doctor (Sam Rockwell), a boy (Noah Ringer) and a dog.

They motley crew sets out in search of the “alien cave,” a pedestrian-looking edifice that would be more at home in a ’50s horror B-movie.The only explanation for the people gone missing is that they may have been packing gold.

The shape-shifter, Ella (Olivia Wilde), and Jake Lonergan (Daniel Craig) get the measure of each other in "Cowboys & Aliens."

Cowboys & Aliens is a mess and a muddle, though most of the acting isn’t bad. It’s just that the story is so out there that it is comical. The film also has a few cringe-worthy moments when characters are alternately making nice or mean.

"Cowboys & Aliens" is fairly predictable, too. For instance, when one of the alien flying machines – equipped with a rope to catch its prey much like cowboys rope cows and horses – grabs the shape-shifter there is not a moment of doubt that Jake, on horseback, would chase the machine down. He gets close enough to jump onboard to retrieve her. He handled his business precisely as a certain spy would have. And boy does he look good doing it. Except that’s not the point!

It is very hard to separate DC, a fine actor, from James Bond in “Cowboys & Aliens.” Just about every twitch is reminiscent of 007. It does, though, make the heart – and perhaps other body parts – go pitter-patter when the camera pans in on DC’s dreamy blue eyes and his taut and perfectly rounded derriere. Except that’s not the point!

Jake Lonergan (Daniel Craig) and Woodrow Dolarhyde (Harrison Ford) examine each other and the carnage left by the invaders in "Cowboys & Aliens."

For his part, HF is utterly unconvincing as the colonel. He does not wear well the semi/bad-guy role. Watching him attempt to convey ruthlessness is dismaying, distressing and depressing.

What were Steven Spielberg, Ron Howard and more than a dozen other "Cowboys & Aliens" producers thinking? And what of the nearly 10 writers? What were they smoking? What were they drinking? This is precisely the sort of stew that is served when too many cooks are standing about the pot.

Indeed, life does has a perfect ordering system where cowboys have their place and aliens have theirs. Alas, it is not in the same film with an unfortunate title of “Cowboys & Aliens.”

“Cowboys & Aliens.” is rated PG-13 for intense sequences of western and sci-fi action and violence, some partial nudity and a brief crude reference.

Friday, March 18, 2011

Transcending Human Bounds in 'Limitless'

Eddie (Bradley Cooper, left) is about to have his life changed by former brother-in-law, Vernon (Johnny Whitworth), in "Limitless." Photos by John Baer/Dark Fields Production, LLC.

“I wish there were a pill I could take to make it all better.”

It is human nature to wax thus in the face of various and sundry unpleasant circumstances, not really expecting that there is really such a thing.

Now there is: MDT. Where we humans normally use only 20 percent of our brain power, MDT allows us to use all of it! The pill synthesizes everything thing we have learned/seen and catalogs it to be recalled at the just the right moment, enabling us to become perfectly proficient in endless ways.

This is precisely what happens in “Limitless” to Eddie Morra (Bradley Cooper), a down-on-his-luck New York writer who goes from a bum’s existence to living extra-special large. Based on Alan Glynn’s “The Dark Fields,” it opens nationwide today.

With MDT in his system, Eddie can speak Mandarin and Italian fluently. His facility of karate and boxing are on par with that for Bruce Lee and Muhammad Ali, respectively. It spawns in him mathematical genius. It enhances his organizational skills and increases his motivation. On MDT, he wins his ex back. He becomes a perfect version of himself.

Eddie is walking aimlessly down the street one day after his girlfriend, Lindy (Abbie Cornish) breaks up with him. He runs into his former brother-in-law, Vernon (Johnny Whitworth), a former illegal drug dealer who now deals in legal drugs, some of which are awaiting FDA approval. A creature of habit, he is dispensing at least one – MDT – without benefit of a seal of approval. He leaves his card and one MDT ($800 a pop) with Eddie.

Under the influence of MDT, Eddie encounters his landlord’s wife outside his door. She is not happy. At first, she is far removed from him, a series of bulging eyes and gaping mouth – as if she is talking to someone else – before she comes back into focus. He was blind, but now he sees.

Lindy (Abbie Cornish) out to dinner with a new and improved Eddie (Bradley Cooper) in "Limitless."

Repurposed, Eddie recognizes one of the law books she is carrying. He is familiar because his ex-wife studied from the same. How did he remember that? Eddie advises the landlord’s wife about the book, writes a paper for her, beds her and she goes on her way. Back rent is forgotten. Meanwhile, Eddie is a new man. He addresses his filthy, dingy, dirty apartment and completes several chapters of his book, which he places on the desk of his dubious and dumbfounded editor.

BC is tall, fair and good-looking. He has the face and bearing of a leading man, yet there is at the same time something slight about him. Here is a man who would let his woman see him cry, though maybe she wishes he wouldn’t. He’s more pretty than handsome. Virility does not ooze from his as it does, say Daniel Craig, Christian Beale and Matthew Matthew McConaughey, who also has a film opening today (“The Lincoln Lawyer”).

As Eddie, though, BC is a competent lead. He is also likable and credible. It is easy to imagine him as a writer whose life is about to undergo a cataclysmic change. BC comports himself admirably in one of his strongest roles to date. In “Limitless,” he also has an executive producer’s credit which explains in part why he has top billing over Robert DeNiro who probably appeared in the film as a favor to the kid.

To complete his book, Eddie realizes he needs more MDT because the breathtaking brilliance he had yesterday is gone today. In its place is the familiar block. He goes in search of Vernon and finds him at home with bruises on his face and an air of nonchalance. Before he will give Eddie more MDT he sends him out to pick up his dry cleaning and breakfast. Eddie returns to find Vernon’s apartment ransacked and him murdered.

Financier Carl Van Loon (Robert DeNiro) sees Eddie (Bradley Cooper) as a cash cow in "Limitless."

While Eddie is freaked out, he had the presence of mind to both call the police and to look for Vernon’s MDT stash. He finds the stash and some cash in the stove. When the police arrive he goes with them to the precinct to give a statement, but that is not quite the end of the matter.

Eddie returns to being his best self. He finishes his book and renegotiates his advance. A makeover transforms him into a replica of a GQ cover model. New threads on his back and a few bucks in his pockets, he embarks on a brief, successful career as a poker ace. Eddie's desire to make more money faster leads him to an Eastern European and/or Russian loan shark (Andrew Howard).

He makes swanky, new acquaintances whose idea of going to the beach is not to Brooklyn or The Hamptons, but to Mexico. One MDT a day, and this is some of what life has to offer

Do not take MDT, however, if you are not already smart; it won’t work for dumb-dumbs.
MDT may cause/lead to
1. dizziness
2. vomiting
3. temporary memory loss
4. premature aging
5. manic behavior
6. promiscuity
7. stalking
8. coma
9. death
10. murder

Eddie (Bradley Cooper) makes a deal with the devil (Andrew Howard) in "Limitless."

It is through one of Eddie’s acquaintances that he comes to the notice of Carl Van Loon, a wealthy, (naturally) ruthless, hardscrabble business magnate played with the expected amount of vigor and swagger by RDeN. He and BC play off of each other well. Van Loon wants to exploit Eddie’s talents for defying the odds on Wall Street, which helped the novice amass $2.3 million in 10 days.

As he rises nearer the top, though, Eddie is in increasing danger both from MDT and those on his tail who know he has the drug and want it for themselves. Surely, his fall is imminent because his meteoric rise is as artificial as a ponzi scheme, no? He’s a drug addict. No doubt, he’s going to crash and burn – yeah?

“Limitless” is a thrilling ride with a satisfying end that leaves the door open for a sequel.

“Limitless” is rated PG-13 for thematic material involving a drug, violence including disturbing images, sexuality and language.
 
Creative Commons License
VEVLYN'S PEN: The Wright take on life by Vevlyn Wright is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License .
Based on a work at vevlynspen.com .
Permissions beyond the scope of this license may be available at vevlyn1@yahoo.com .