Showing posts with label Duro Olowu. Show all posts
Showing posts with label Duro Olowu. Show all posts

Thursday, March 7, 2013

Duro Olowu for JCP: Colors and Prnts Make Some Noise



THE colors jumped out at me, grabbed the lapels of my tweed coat, and implored me to take them and the bag they were covering with me. Red, orange, green, turquoise, navy, brown, white were all beseeching me in quiet, urgent tones.

I did as they bid, despite the fact that the handle and panels with which they were keeping company were faux leather. And then there was the faux snakeskin closure. The tote was so persuasive that a girl had to overlook these minor details. After all, life is a series of tradeoffs, is it not?

Two days later, two ladies were oohhing and ahhing over my tote. Of course, I gave them to know that the Duro Olowu creation would not be available until 1 March. They were momentarily deflated, but elated when I told them that it was only $50.

Yours Truly is jawing about Duro Olowu for JCP. The collection of apparel, accessories and home décor items, which is inspired by the London-based designer’s Spring 2013 collection (see video above), is now in JCPenney brick and mortars as well as http://www.jcp.com. You and you and you can shop to your heart’s delight. (And JCPenney can focus on something other than its spat with Macy's over Martha Stewart.)

It's all Duro Olowu for JCP: Sundress, necklace, sandals, vases, accent rugs and a certain tote that talks. Photos from Duro Olowu.

Has DO seen a print he did not like? Possibly, but one thinks not. The two titans of prints without doubt are Himself and one Custo Dalmau (the man behind Custo Barcelona). While DO is based in the UK, his heart is clearly still in his native Nigeria or somewhere in West Africa.

Just about every stitch, stone, pebble and pleat in Duro Olowu for JCP is infused with a bit of West Africa. Buyer, do be aware that there is a lot going on. JCP calls the collection a “riot of color.” True that, but it is the combination of bold colors and bodacious prints that takes each item to a place few can go and rest comfortably. Multiple colors and multiple prints – paisley, stripes, florals, turquoise, orange, pink, green – co-exist in peace and harmony rather than utter chaos, provoking a body to exclaim, “What was he thinking?!”

It is perfectly understandable that the Duro Olowu collection would be the cause of excitement.

Dear Readers, please note that your humble guide may not be the best one to speak about Duro Olowu for JCP. Simply put, I am a print fanatic who often mixes and matches as many as I can get away with – far more than the law of physics or the most relevant branch of science allows. I am a lawbreaker. To that end, if you do not like DO’s collection, do consider the source of all of this exuberance. That written, I am in good company (First Lady Michelle Obama)as it regards the designer's threads.

All disclaimers revealed – other than the fact that I met the designer and his collection at a smashing party and gifting suite during Mercedes-Benz Fashion Week New York – the collection is eye-catching and arresting. And, and, and, it is far more affordable than anything he might show during London Fashion Week. In fact, the most costly item herein is the fetching carry-on bag with wheels ($90.) While nothing is sourced from the finest textiles available – impossible at these price points – everything is well-made. Do note that it is cheap but does not look cheap. This is not junk.

It seems that Duro Olowu has it covered from head to floor.

The second most costly item in Duro Olowu for JCP is the Turquoise-Gold Metallic Brocade Trench Coat ($75). At The Daily gifting suite that was set up at the Stone Rose Lounge in Time Warner Center, journalists and tastemakers were allowed two items. I also walked away with the coat, which DO gave me to know can be worn as a dress, too.

The coat/dress was one of the most popular items in the suite and went as fast as a scud missile. It pleases me to report that the wrinkles that so assaulted the coat after it spent several hours semi-balled up in my gift bag did make themselves very scarce after it was hung.

The Duro Olowu metallic brocade trench coat can play the part of a dress if necessary.

The coat/dress will likely be a popular seller along with the Abstract Leaf Print T-Strap Platform Sandals. The shoes complement every piece of apparel, proving that women don’t need a zillion pair and that DO was wearing his thinking caps as he was creating Duro Olowu for JCP, including coffee, mugs, vases, and writing paper. Merchandising, isn’t it wonderful!

DO pronounced himself “excited” about the partnership with JCPenney. And why shouldn’t he be?

Visit http://www.jcp.is/XUTlpq to learn more about Duro Olowu for JCP; visit http://www.duroolowu.com/ss13photos.html to learn more about the Duro Olowu Spring 2013 collection. Rx

Saturday, December 24, 2011

Pageturners for the Individual With Discerning Tastes

A Tiffany Amber design featured in "New African Fashion." Photo by Justin Polkey.

HEAD’S UP: Here it is past mid-December and holiday shopping isn't yet an item on the to-do list. What’s a body to do? One option is to give money. Everybody needs money, right. Well … almost everybody does. Yet the idea of gifting money seems a bit slapdash and last-minute, which it is, of course. Never fear. The elves at VEVLYN’S PEN are here to help in what has become a tradition. Continuing through 24 Dec., we will introduce one or a series of products, items and brands that we believe is worthy of consideration as a holiday gift(s). And … we’re off !!!!

Gift Idea(s), THE FINALE:

FASHION
lovers, gardeners, green thumbs, gourmets and those with a jones for gems – your attention please. We’ve come across a few books that you’ll want to add to your library. Do make room on the bookshelf or coffeetable for “New African Fashion,” “A Time to Plant: Southern-Style Garden Living" and “The Collection of Elizabeth Taylor: Deluxe Limited Edition Boxed Set.”

New African Fashion
As Africa continues to move out of what Yours Truly describes as its approximate 500-year-old Dark Ages, one signpost along the way will likely be New African Fashion (at this writing as low as $21.98 at Amazon), by "Arise Magazine" editor Helen Jennings.

The book’s introduction, with a foreward by the redoubtable Ike Ude, serves as a competent overview of how the fashion world has been influenced by the Continent and how Western designers through ignorance or education have exploited or gotten it right as it regards African fashion. The introduction winds down on how things are being set to rights and the challenges that African fashion faces if it is to reclaim its rightful place in the fashion universe.

The picture book that is New African Fashion is set apart in its focus on the creations of a new crop of fledging, establishing and established African designers who are making their mark on the world stage. Seemingly tacked on, a few pages are dedicated to “Faces” or “It” models, and “Art,” focusing on “It” photographers.

The bulk of New African Fashion is thankfully dedicated to the designers. Suggesting how far Africa must come to be taken seriously as a fashion hub, virtually all of the designers were trained in part or wholly in the West. Some still reside in the West; a good deal reside in the Motherland. Just about all, like so many of their ilk, grew up observing stylish folk in their living rooms or in fashion glossies. A leitmotif is that the culture and textiles of the rich, vast lands of their birth or that of their parents is a strong reference point in their designs and aesthetic.

Some names/lables are familiar such as Brit Ozwald Boateng (pp. 58-63), born in London of Ghanaian parents and who brought color – in more ways than one – to Savile Row. A prints of a man is New York-based Duro Olowu (20-25). The Nigerian is also one of the few designers who can claim the current First Lady as a client. He made his first big splash a few years back when Vogue saw fit to spotlight his plunging and flowing dress based on the Yoruba boubou. The feminine, flirty flock would become famously known as the “Duro Dress.”

Through Xuly Bet (pp. 26-29), Malian Lamine Badian Kouyate embodies the truth that “one man’s trash is another man’s treasure.” Many of his unique street-style creations are born of Western castoffs that find their way into any number of African countries. LBK gets bonus points, too, for sustainability in a world that needs it in reams.

Lesser known names in New African Fashion include Tanzania’s Anisa Mpungwe, who designs the new label Loin Cloth & Ashes (pp. 90-93). AM, the daughter of a diplomat, had a vivid imagination along the lines of “Alice in Wonderland” and Salvador Dali, which is evident in some of the designs shown in the book. More recent influences such as the “Transformers” seem to inform a beige-zippered tunic w/puckered shoulders and long sleeves.

Getting a lot of buzz now is the Tiffany Amber (pp.96-101) line designed by Nigerian Folake Folarin-Coker. The designer made a splash during Mercedes-Benz Fashion Week New York Spring 2010 during the Arise: Africa Promise Collection (http://www.vevlynspen.com/2009/09/day-2.html) show. In New African Fashion, it is noted that on Sundays the favorite after-church activity in Nigeria is a cruise on a yacht. To that end, Tiffany Amber “offers resortwear and soft, floatly dresses for ladies who lunch, work and sail." Exhibit A is the photo (p. 97) of a model wearing an empire-waist floral belted skirt and print bra. She is standing on a rock that seems melded to her getup. Is she waiting ashore for … a yacht?

A Time to Plant: Southern-Style Garden Living
Cook, landscape designer and third-generation Georgia gardener James Farmer III (yes, Farmer is his surname) has delivered in “A Time to Plant: Southern-Style Garden Living” ideas and tips for cooking and decorating with what grows in the garden. Bringing his ideas to life are the scenic backdrops that are the homes of family and friends.

The garden living that JF promotes in “A Time to Plant: Southern-Style Garden Living” (at this writing as low as $19.93 at Amazon) is environmentally-friendly because it is local and little goes to waste. For instance, the blooms and stems from cutting beds can be used to decorate the home (p. 106). A autumn centerpiece (p.143) includes Mexican sage, aster, pomegranates, blood oranges, colored leaves other than green – think fall foliage – as well as pheasant and quail feathers.

Included are recipes for in-season fruits and vegetables. In fact, there are full menus for every season of the year. Blackberries and peaches, can combine in a Blackberry and Peach Crisp, p.104. The squash taking over the garden can be pressed into service as Squash Spoonbread, p. 108. At Thanksgiving, sweet potatoes can be used for Sweet Potato Souffle, (p. 138). During the heat of summer is Farmer’s Skillet Corn, p. 131.

Taking a page from Ecclesiastes, JF reminds readers that there is a season and a time for everything. That sage advice informs every section in the book. As JF notes in the book’s introduction: “Timing is everything in the garden.”

To that end, “A time to …
Make a Plan”: before starting a garden, create renderings of the garden; label and graph out cutting beds; map out a spot for vegetables.
Cut and Arrange: Take hydrangeas, JF’s favorite flower. Cut them early in the morning or at night so the blossoms don’t wilt during the hottest part of the day, especially in high-humidity climes such as Georgia. Submerging the stems in deep water also prevents premature wilting.
To Plant: Foxgloves like fall, while Mums, (aka Chrysanthemums) Asters and Daisies like spring.
For Tea: JF declares that, “Tea is the house wine of the South.” Rather than Lipton, he recommends Chamomile, Lavender, Mint and Rosemary.
Harvest and Eat: “A major aspect of the garden living lifestyle is the understanding of each season’s produce,” JF says. That is, knowing when fruits and vegetables are in season. Late spring and summer in Georgia bring blackberries, then the famous peaches and pecans in the last quarter of the year.

The Collection of Elizabeth Taylor: Deluxe Limited Edition Boxed Set
So, you don’t own have any of the baubles from the Bvlgari Emerald Suite that was given to Elizabeth Taylor by Richard Burton. The suite was famously auctioned a little more than a week ago at Christies’s auction of “The Collection of Elizabeth Taylor." (http://www.vevlynspen.com/2011/12/at-christies-collection-of-elizabeth.html)

Neither do you own Le Peregrina or the Elizabeth Taylor Diamond or the Taj Mahal or the Mike Todd Diamond Tiara, for that matter. You can, however, own the Deluxe Limited Edition Boxed Set ($600.00).

Christie’s grossly – perhaps intentionally – low-balled the haul that would be generated by the jewels in “The Collection of Elizabeth Taylor.” It included not only the actor’s famous jewels, but also film memorabilia, decorative arts and fashion. Christie’s estimated that the jewelry would take in “well in excess of” $30 million. Sure, it did. But $60 million would qualify as "well in excess of." It was the greatest take ever for jewelry at auction, coming in at about $116 million. The entire Collection, including the nonjewelry items, netted more than $150 million.

The box set includes ET’s out-of-print book “My Love Affair with Jewelry” and Christie's auction catalog for “The Legendary Jewels, Evening Sale.” Alas, the “The Complete Set,” which includes all of the auction catalogs and “The Gallery Guide” is sold out. At this writing the individual catalogs are still available.

Visit http://http://www.amazon.com/ to purchase both “New African Fashion” and “A Time to Plant: Southern-Style Garden Living. Visit
http://www.christies.com/elizabethtaylor/catalogues.aspx to purchase “The Collection of Elizabeth Taylor: Deluxe Limited Edition Boxed Set.”
 
Creative Commons License
VEVLYN'S PEN: The Wright take on life by Vevlyn Wright is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License .
Based on a work at vevlynspen.com .
Permissions beyond the scope of this license may be available at vevlyn1@yahoo.com .