IN “Spring Breakers,” a college ritual is turned on its side, shaken, stomped to within an inch of its life and skinned alive.
Harmony Korine’s biggest and most mainstream film to date has as protagonists four college girls who arrive at spring break in St. Petersburg, Fla. in a very unconventional way: they rob and steal their way there. Increasingly reckless after their bodacious acts, the quartet then proceeds to one debauchery after the other. The film opens in the United States today.

On a more global level, “Spring Breakers” is a metaphor. It represents the state of our United States at this cultural moment: soulless, selfish and sex-obssessed. These girls possess a colossal sense of entitlement.
Like the culture at-large, they want what they want and they want it NOW with little or no regard to how they get it. It is no wonder they took up stupid crime as a means to a stupider end. They don’t know the meaning of taking responsibility; it is doubtful that they can spell the word.

Forewarning to the morally upright: “Spring Breakers” is not yours, your mother’s or your grandmother’s spring break film. It's actually much better; it is also much more disturbing.
Like our country, it is scary.
“Spring Breakers” is rated R. Visit http://www.springbreakersmovie.com/ to learn more about the film. Rx
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